At this point we would like to acknowledge some of the people who have
contributed to this project in a major way.
Reinhard Kanuka-Fuchs as the architect continues to
support the sanctuary in its various stages to this day. We thank him for
both his professional excellence and support as a friend.
Alan Drayton and his builders erected the shell and had
to overcome many unusual challenges. Their energy is embedded in these
buildings.
Max Walls and his team of stonemasons have shown
wonderful skills and tenacity. Their work will be admired for centuries.
Many, many others are and were involved, their
contribution will be remembered.
Last but not least is the question: where did the
inspiration for all this come from? The answer lies in the word inspiration.
When you look at the buildings, when you feel them from the inside, when you
hear the sounds, it is as if they had always been there. A truly
inspirational process.
The
building process continues. The machines have gone, gentle stone chipping
can be heard under the mountain. Slowly and artistically the stone walls
develop, each stone manually faced with chisels and carefully put in place.
The four stained glass windows with symbols of the
major religions are now finished. Stephen Hutton, the creator of these
stunning windows has put them in place. No doubt that for centuries they
will be admired and will inspire many generations to come.
The windows are in the four major directions. Beginning
in the east, honouring the element air, the colour is yellow. Here Judaism
and Christianity are represented symbolically.
In the north, the colour is red (the element of fire in
our hemisphere). The ancient Persian religion of Zoroaster and Islam and
Sufism are honoured.
In the west the colour is blue and the element water,
with the sacred OM sign representing Hinduism and the simple lotus;
Buddhism.
In the south, the element is earth and the colour is
green. This window honours all the earth based paths, all the indigenous
cultures from the Maori to the Celtic. It especially celebrates the ancient
goddess traditions which were widely spread over our beautiful planet.
The borders of all the windows are a spiral portraying
the koru, symbol of the unfolding perfection of life.
Here are the windows. If you click on them they will
enlarge for a better view:

Sanctuary Update
Winter 2003
The main building and the interior of the sanctuary is
now finished.
The inside is covered with a breathing lime plaster, which lightens the
interior with its natural handcrafted look.
The floor has a wonderful feel. Italian Travertine Limestone is radiating
out from a black granite circle and the center is graced by a 220 mm
diameter greenstone from the South Island.
The swamp Kauri benches made by Micha Wellnitz here on the land give a
beautiful contrast to the stone and plaster.
The courtyard completed with granite tiles and a Zen
garden with pebbles , stones , a water feature and a beautiful wrought iron
Japanese lantern.
Thanks to you all who loved our CDs created in the
Sanctuary, your contributions paid for the Japanese Lantern. These
CD's "Coming Home and Gates of Glory" are still available from the Mana
Office for a suggested donation of twenty dollars.
The large area in front of the sanctuary is slowly
being landscaped and graced with a beautiful curved stone retaining wall.
At present a stone walkway around the building is
being created.
Most courses here at Mana now incorporate a visit to
the sanctuary. For many a nourishing experience.
Love from Rainer
Update Spring 2004
The Sanctuary Booklet in full colour and 28 pages
contains all the details and stories of this 5 year building project. The
booklets are available from the Mana office for a donation of $5.
If you like to view an article on Sacred Geometry of Tara
Sanctuary click here