soup



"Soup" is a claymation series made for the kids' show What Now on TVNZ.

I really loved "Trapdoor," the 80's claymation from Britain. I tried very hard to avoid making Soup resemble Trapdoor, but I couldn't help it. They really set a benchmark for making a low-budget claymation. The big eyes on top of the head, the easy-going approach to hideous rampaging monsters, the multitude of small scuttling things: all these were things I... borrowed. One day I'll have to give them back.

Why aren't more people making claymation? Because it takes so long I guess. It seemed like a natural choice for me though since I have no experience in other forms of animation. Its still quicker than cel-animation. At least you don't have to create a new model for every frame of animation.

Want a tape? I can make a dub of all 30 episodes and send it to you if you live in New Zealand for oh, let's say $30?
Send me a cheque and your return address and its all yours. I'm at:
    Jamie Canard
    299 Riccarton Rd   
    Christchurch.


email me at:   fakeproductions@paradise.net.nz

title
This was the first set I made. Note the wires trailing off underneath it. These hooked the "strobe" (that small blue thing) up to a 10 volt battery. Insubbordinate creatures found out the hard way not to mess with the director.
Strobes set


The Grizzlefish set was a big-un. The cheapo plasticine I used for the mud was a royal bugger to place since it was so hard (especially in winter). It took me way too long to discover the benefits of heating the stuff up in the microwave.
Grizzlefish Set

Cover
Thanks to Hayao Miyazaki's "Nausicaa of The Valley of Wind" for inspiring those big blue fungi things.
To Catch a Newt
The frist series was on sale for a little while in Whitcoulls.
 I think my Mum bought 3 copies.
Following the first series, kids requested more violence. Here Roger administers a whack to the head of a large monster in "A Daring Plan."
whack!


The other end of the Grizzlefish Pond.
Grizzlefish finale


Roger owns a book containing knowledge of swamplife. His hand for these shots was bigger than mine.
Roger's Book